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RiffTrax, the guys who make movies funny, bring their comedic riffing treatment to this cheesy 90's action classic! Decapitations, explosions, and mangled dialogue abound in this extremely ...



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RiffTrax, the guys who make movies funny, bring their comedic riffing treatment to this cheesy 90's action classic! Decapitations, explosions, and mangled dialogue abound in this extremely eighties-nineties movie! This feature is a parody and combines the original movie with a comedic commentary by Mike, Kevin and Bill from RiffTrax (former stars of Mystery Science Theater 3000).

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An M.I.A. US soldier nicknamed White Ghost lives in hiding in the jungles of communist Vietnam. The US army finds out about him and sends a black ops team to rescue him. However, the team is lead by a man who wants White Ghost dead. Although I haven't seen every Vietnam war-movie in the world yet, this does rank a bit above average, based on pure entertainment-value alone.

I was fortunate enough to find this non-classic movie on a fairly cheap Scandinavian DVD-release, and immediately had to buy it (based on other good experiences with movies starring William Katt, Wayne Crawford and Reb Brown), and when I finally decided to see it - after three years of sitting on the shelf - I wasn't disappointed one bit.

The story is somewhat as follows: When the American soldiers went home from Viet Nam (that's how they spell it) in 1969, not everyone got out in time. The highly skilled soldier Steve Shepard aka "White Ghost" (William Katt) has lived out in the jungle for 15 years, and has even made a nice tree-house for himself and his Asian girlfriend Thi (Rosalind Chao), who is pregnant with his child. After all this time, the Americans discover that he's still out there, and decide to send out a team of mercenaries to finally rescue him and learn what he knows from his stay in the jungle for all those years - he had gathered a large amount of dead American soldier's dog-tags, and now their families will finally know what happened to their missing relatives.

But something goes wrong, and the commanding officer Major Cross (Reb Brown) unfortunately sends off a team led by a grudge-holding scumbag, Captain Walker (Wayne Crawford), who doesn't intend to get Shepard back alive. Now it is up to Cross to get him out of there himself, and up to Shepard to both keep himself and his girlfriend alive, not only from the evil gang of mercenaries, but also from the equally evil Vietnamese soldiers who are right on their tails.

Now, this movie is really fantastic, it keeps your interest from the very first frame, and has enough interesting ideas and scenes to never let up. The violence isn't as extreme like the other reviewers suggested, but sufficient to keep both action- and gore-hounds satisfied. Lots of shooting, explosions, and even a car-chase in the jungle is always nice!

Bonus: One of the bad guys look eerily like Jesse Ventura (as he did in "Predator"), pretty sure his name's Karl Johnson, but not 100% certain. Also, there were many cool boobie-traps in the jungle, just like in "First Blood".

Recommended only for those who either enjoy all sorts of Vietnam war-movies, or just for those who like extreme action-scenes.. which, actually becomes quite humorous, especially when watching it with friends. When you think about an ex-American soldier from the Vietnam war raging havoc in that country in the 1980s a la "Rambo", it is very unlikely that the first actor someone would picture in the role would be William Katt. Yet here he is in one of the biggest miscasting decisions I've seen in a movie for a long time. Seeing him act like Rambo does occasionally bring in some amusement, but that's about all the entertainment value "White Ghost" has. Although shot in Zimbabwe(!), the jungle locations are badly chosen, making the movie look like it was shot in the wilds of Florida. These locations and the actors are almost entirely shot with the cheap technique of having everything close to the camera. The action sequences are routine at best, and the story and characters we have seen in dozens of other movies before. If you come across a dusty copy in a thrift store, it's best to leave it alone and move to something else.

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Reckless test pilot Hal Jordan is granted an alien ring that bestows him with otherworldly powers that inducts him into an intergalactic police force, the Green Lantern Corps.



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In a mysterious universe, the Green Lantern Corps, an elite defense force of peace and justice have existed for centuries. Reckless test pilot Hal Jordan acquires superhuman powers when he is chosen by the Ring, the willpower-fed source of power. Reluctantly at first, he takes on the challenge after the death of Abin Sur, the finest Green Lantern. Putting his self-doubts aside, and spurred on by his sense of duty and love for his beautiful, intellectually equal, colleague, Carol Ferris, he is soon called to defend mankind from Parallax, a powerful, evil being who feeds on fear. Hal Jordan is the universe's last chance, as many Green Lanterns have been killed and the Corps is weakened. And he might just be the right Green Lantern for the duty of keeping the world safe from harm. Reckless test pilot Hal Jordan is granted an alien ring that bestows him with otherworldly powers that inducts him into an intergalactic police force, the Green Lantern Corps. This movie was very enjoyable. It provided a faithful adaptation of the Hal Jordan Green Lantern comic book character and other characters from the comics. The plot was appropriate for a Green Lantern story. The visuals were stunning and there were plenty of scenes with little or no effects or CGI. I particularly liked how Hal Jordan's character was portrayed and developed, as I felt it was unique for a superhero character. Here we have a guy who is NOT Superman, i.e. gifted with an enormous array of superpowers, nor do we have Batman, who is a trained professional. In this film, we have a superhero who's greatest strength by far is himself, especially his will. That is what drives the character through challenges and to victory by the end of the film, not superpowers alone, not fancy gadgets, not elaborate fighting skills, just who he is and believing in himself and in winning. I like it! Not an original concept perhaps, but as far as mythology goes, this movie tells a great tale and gives us another great hero's journey, one that occurs as changes from within, not just changes physically. Go see this film if you like superheros or if you want to be inspired to have courage and believe in yourself a little more. Don't listen to the critics. This is not a one star movie. It does not suck. As I said, it is not a classic film, but it is very good and worth seeing. My only real issue is that the dramatic elements were a bit too long, although a condensed version of the drama would still be entirely necessary. Also, a superhero who's greatest power is believing in himself and in success takes some getting used to compared to a dude who just has amazing powers or fights like Batman. Anyways, enjoy! Hal is chosen by an alien ring to become the first human Green Lantern, a member of an universal alliance of protectors. Being an irresponsible test pilot, he must overcome his weaknesses and learn to control his new powers because a deadly force is threatening the universe once again.

It has a fair plot accompanied by a great soundtrack and a good actor (Ryan Reynolds). It isn't the most convincing story, I admit, but it's good enough. After all, it is a superhero movie. You're watching it for its action and for its characters most of all (although a great story could make it very good). Unfortunately, I was utterly disappointed by the ending. It's so childish, so simple that only a ten year old could have thought of it. It doesn't deserve the rating I gave it but it had such great action and looked so "awesome" that I couldn't resist. It's a shame though, it could have been an superb movie if it had a better plot and a final battle which wasn't completely stupid. The film, released in both 2D and 3D, delivers lots of freshly minted CGI'd action (eventually) but none of it grabs you. There's just something too synthetic about the whole enterprise - it's fantasy tipped over into fakery. The film is based on the comic book character, Green Lantern, published by DC Comics. The story is based on Green Lantern: Secret Orign. The film follows the same basic story and most of the events of Secret Origin though it features Parallax instead of Atrocitus. To date, there have been seven human Green Lanterns in the comics. The first Green Lantern is the Golden Age superhero Alan Scott. Scott was an engineer who found a magic green lantern made from a meteor. He made a ring that allowed him to tap the powers of the "Starheart". He originally had no connection to the Green Lantern Corps, but it was later stated his lantern is from the Corps' early days and is an honorary member. His weakness is wood. The second Lantern is the Silver Age Hal Jordan. This was the first human Lantern in the Corps, the intergalactic police force seen in the film. All members of the Corps are vulnerable to the yellow impurity (derived from Parallax being imprisoned in the Central Battery on Oa) though they can overcome it with enough experience and courage. The third is the Bronze Age Guy Gardner. He was Abin Sur's ring's second choice but farther away than Jordan, and later became Jordan's backup. He was removed from the Corps but later readmitted as an Honor Guard training new recruits. The fourth is fellow Bronze Age John Stewart, one of DC's first African-American superheroes. He was an architect and marine who replaced a comatose Gardner as Jordan's backup. When Jordan resigned from the Corps John was the regular Lantern. He now serves alongside Jordan as his regular duty partner and later with Rayner after the Blackest Night event as an Honor Guard and Gardner following the New 52 reboot. The fifth is Modern Age Kyle Rayner. Rayner was an artist who was chosen by the last Guardian of the Universe after the Parallax-possessed Jordan destroyed most of the Corps. He was possessed by Ion, the green equivalent to Parallax, and later by Parallax. He then was partnered with Gardner and later Stewart as an Honor Guard. The sixth Lantern is the Modern Age Jade, the daughter of Alan Scott. She had the same powers as her father, though without the need for a ring or lantern. During this time she was also vulnerable to wood. After her resurrection, she joined the Corps and was given a ring. The seventh and final Green Lantern Simon Baz was introduced during the relaunched Green Lantern series after the New 52 reboot. Simon is an Arab-American who has faced persecution because of the Arab peoples connection to 9/11 and was a minor league criminal and suspected terrorist that was falsely accused before the ring that Sinestro had before he and Jordan were apparently murdered by the Guardians had chosen him as its next wielder and Baz decided to work on turning over a new leaf after becoming a Green Lantern. As of the "New 52" continuity there are currently five human lanterns Jordan, Gardner, Stewart, Rayner, and Baz, with both Alan Scott and Jade no longer in existence. However, a younger version of Alan Scott is being used as part of DC's "Earth 2" continuity which is cast in an alternate universe. The movie focuses on the second Lantern introduced, Harold "Hal" Jordan. The producers briefly considered making the movie about Scott. But Jordan is more popular and introduced the greater Green Lantern mythology. Scott was in early versions of the Jordan-centered movie but eventually written out. Gardner was in the script as a small role with potential to be expanded, but not included in the movie. Former marine and current actor/model Nick Jones was rumored to play Stewart in a cameo, but the movie makes no mention of Stewart. Yes, but not at the end of the credits. It occurs after the animated credits are shown and before the scrolling credits. Sinestro puts on a yellow ring, and his green lantern suit turns to yellow. It is not explained in the film but the colour yellow is the Achilles heel of Green Lanterns. In the older versions of the comics the colour yellow is the Green Lantern's weakness. However, this will most likely not be covered. The point of the yellow suit is that Sinestro has succumbed to the power of fear. Will is Green, Fear is Yellow, and Sinestro will most likely be the main antagonist of the next movie if it is made using fear as his weapon rather than Will. In the comics, Sinestro takes the yellow ring and creates a "Sinestro Corps", because he thinks the power of fear is stronger. He also feels betrayed and missunderstood by the guardians. No, Green Lantern is a monocular-to-binocular conversion. It was originally filmed in regular/2D, but during post-production, the decision was made for the film to be post converted into Digital 3D. The additional budget for the film during post-production included 3D effects added to the film at the last minute. Before this movie was released, it was stated that a sequel was being developed by writer Michael Goldenberg. On June 26th, 2011, a top studio source told The Hollywood Reporter (THR) that Warner Brothers had given the green light to a sequel despite being "somewhat disappointed" by the first movie's results. The next day, a studio spokesman told THR that no decision had been made. In the ensuing years, there had not been any further developments. The reference made to a green-colored superhero in Deadpool (2016) starring Green Lantern star Ryan Reynolds left the impression that he wouldn't be interested in returning to the role of Hal Jordan (though it might be more of a matter of whether a real costume were made and worn instead of the widely-criticized, post-production digital effects approach being taken). When it was announced in August that a fourteen minutes longer extended cut was to be released fans hoped that it could improve the movie. Unfortunately, the result is rather disappointing. A comparison showed that the difference is only 9 minutes and 33 seconds (excluding credits). The additional scenes are also only plot scenes that do not improve the movie, its story or main characters. There is no more action, relevant new story elements or a deeper insight in Hal Jordan and his problems. Nonetheless one can find a very detailed comparison between both versions with pictures here.

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A father and son go on the run, pursued by the government and a cult drawn to the child's special powers.



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Alton Meyer is a boy unlike any other in the world with bizarrely powerful abilities and strange weaknesses. In the middle of the night, his father, Roy, spirits him away from the isolated cult that practically worships him and is determined to regain him at all costs. At the same time, Alton's abilities have been noticed by the US government as well and they are equally insistent on getting to the bottom of this mystery with Paul Sevier of the National Security Agency leading the Federal pursuit with his own questions. These rival hunts force father and son into a desperate run towards a looming date with destiny that could change everything. A father and son go on the run, pursued by the government and a cult drawn to the child's special powers. There are few under-the-radar writer/directors as hot as Jeff Nichols. The "Mud" and "Take Shelter" filmmaker is an extraordinary visual storyteller, and his streak continues in "Midnight Special," a family drama dressed as a sci-fi thriller.

Like those previous films, "Midnight Special" takes place in the American South. The film opens and we see Roy (Michael Shannon, Nichols' muse) and Lucas (Joel Edgerton) on the run in Texas with a young boy, Alton Meyer (Jaeden Lieberher), who we learn is Roy's biological son. Alton is gifted, and his "powers" were the basis of a religious cult led by Calvin Meyer (Sam Shepard), Alton's adopted father. Although they are desperate to track down the boy, they aren't alone — the federal government is looking for Alton because his powers have revealed top secret government information.

Any summary of "Midnight Special" — including that one — is tough to put together. The story is shot out of a cannon and the audience has to piece together much of the context as it moves along, and wait patiently for Nichols to drop precious nuggets of clarity. Of course, only in the end do we have any semblance of a picture of the truth, and even then the image is far from crystal clear.

For those familiar with Nichols' work, "Midnight Special" is most like "Take Shelter" with its intentionally vague and quietly suspenseful demeanor, punctuated by short but big dramatic moments. The plot relies heavily on audience curiosity as to what's going on with Alton and just how big in scope the whole thing could get. If you're new to Nichols, be patient and prepare for a payoff that's as intellectual as it is emotional. In fact, in "Midnight Special" the scales tip in favor of the intellectual.

Like the plot, the performances are generally understated with a few moments that showcase the actors. Shannon can blow the roof off a scene, but Roy might the least chewy of any part he's played. Here he's a passionate father ready and willing to cross all moral lines for his son, but he never comes unhinged. Kirsten Dunst, who sneaks into the film well into the runtime as Alton's mother, has a similar part. These are the kinds of quality performances you're less likely to see honored come award season, but once you've seen the film and recognize its qualities, it becomes clear just how pivotal the acting is to its success. Honorable mention to Adam Driver as an NSA agent who undergoes his own transformation in the film.

To what will likely be the chagrin of at least a chunk of people who see "Midnight Special," the sci-fi components are not among the best parts of the film. They don't hurt it by any means, but their purpose is to heighten the stakes of what really matters to Nichols — the family drama and the themes and ideas around belief. So in and of themselves, the effects work and supernatural pieces are just okay, it's how they serve the story that matters. In this way, comparisons of the film to "Close Encounters of the Third Kind" are most valid.

"Midnight Special" could definitely be a little more gripping. It would also be a stronger film if it resonated with the audience throughout its duration rather than sort of dawn on you following the credits and a period of reflection. But that's how Nichols works. He brings such a high level of emotional intelligence to his projects, but he makes you work. You have to trust your instincts and impressions of the film to find the meaning it offers. Luckily, he always makes that experience worth it.

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Thanks for reading! Visit Movie Muse Reviews for more This film is so unique and masterfully presented; it's absolutely stunning. Nichols delivers a heart-felt story of a parent's worry with a mix of suspense and gorgeous alternate-world sci-fi. It's relatable on a human level, and engaging with a beautiful cinematic experience.

Michael Shannon's performance is touching. For an generally very intense actor (but still consistently good), he shows a lot of heart and vulnerability in this which is great to see. Joel Edgerton in a great supporting role also delivers a quality performance that has become expected of such a great actor. Great all round casting.

See this on the big screen where it is supposed to be seen! The details in Midnight Special, Nichols’ homage-heavy sci-fi thriller set in his signature Deep South locale, are sometimes so scant as to be jarring. Yes, less is often more in Hollywood, but it can also be just plain less.

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A reporter wakes up in a morgue and finds herself a member of the undead, before vowing revenge against the sect which put her there.



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A reporter wakes up in a morgue and finds herself a member of the undead, before vowing revenge against the sect which put her there. The snoopy reporter Sadie Blake is called by her nerd colleague Ethan Mills that has deciphered a code and found an address in Koreatown from information of the Goth Tricia Rawlins about a bloody cult. Sadie does not give attention to Ethan, but when she sees on the front page of the news that Tricia has been found dead in a dumpster in Koreatown, she decides to visit the address. She finds an abandoned house with a gruesome basement full of blood and she immediately drives to Ethan's apartment. She finds the place in a complete mess and is abducted by a stranger and taken to Bishop, who wants to know what Tricia has told her. Then, Bishop and his mate Eve kill Sadie and they have a necrophilic threesome with her body. Later, Sadie awakes in the freezer of the morgue and sooner she realizes that she is a vampire and promises revenge to her sire. Beginning with the title, just about every aspect of this film is rife with mediocrity. That isn't to say it's a particularly bad film, it isn't, it's a simple statement about the films complete lack of ambition.

A woman (Lucy Lu) is kidnapped by a pack of vampires and after being summarily abused and finally left for dead she turns into a vampire herself and heads out for some bloody revenge.

As is undoubtedly obvious, the plot is anchored firmly in the realm of 'been there, done that', Lucy even gets help from the requisite down-on-his-luck cop who has his own reasons for chasing the vampires. At one point the 'hero' kills (in a rather gruesome fashion) an innocent stranger and then eats him, as if it's at all justified by her quest for revenge.

The dialogue and characters don't fare a whole lot better; you've seen every character here a dozen times or so in other movies and the character interactions have a stiff kind of unbelievability to them.

Where the drama fails, the fan-service works rather well. Plenty of blood and gore, some kinky hook-ups and a surprising amount of nudity on the part of Lu. It's just enough to make the rest of the film palatable, but unsatisfying The film doesn't do anything terribly wrong, the problem in the end is that it does equally little right.

5/10 RISE: BLOOD HUNTER

This is another in what seems like will be a trend of movies/wannabe's in the wake of "Underworld". Surely "Rise" hoped to ride the coat tails of "Underworld's" success, however it comes up way short.

This movie suffers from poor story development. The viewer is thrown into a world with out learning it's rules and not really ever getting to know them. There is no back story to let you know about the Cult or "Bloodfeeders" as I call them since they are not given a name. There is also no real story arc other than the fact that Sadie Blake (Lucy Liu) wants to get revenge on the "Bloodfeeders" for making her one of them. The time-line jumping the film is unnecessary and would have probably benefited better if it went with the linear approach.

As far as the acting goes, sure Lucy Liu is fun to look at but she is not a screamer. What I mean by that is she does not fulfill the female in distress character very well. Her reactions and shrieks to moments that scare her do not seem real, you can tell she is acting. You would think she would be a great candidate for an ass kicking "Bloodfeeder" killer with movies such as "Charlies Angels" and "Kill Bill" but her acting is just adequate and one dimensional.

The best part of the movie is within the first five minutes and that's only because you get to see Cameron Richardson's (Super Cross) phenomenal naked body. You can call me a perv but that's the truth.

All in all if you are hoping for this movie to match up with "Underworld", you will be disappointed. However, if you liked "Blood and Chocolate", another wannabe, then you will probably like this movie. I give this movie a 5 out of 10. Oh and by the way, it is left open to a sequel, one in which I will not be watching. Rise aka Rise: Blood Hunter is based on a script by director Sebastian Gutierrez. The characters share the last name, this is true, and they are both vampire hunters, but most viewers who are familiar with the movie as well as with LKH's books claim that that's where the similarity ends. In the Anita Blake series, Anita isn't bitten for quite some time into the series. She lives in a society where vampirism is legal and can be attained legally at the age of 18. She doesn't go hunting the vampires unless she has a court order to do so, and the vampires that she does kill without a court order have usually attacked her first. Unlike Anita Blake, Sadie Blake doesn't bring corpses back to life by using her necromancy powers nor does she work with any special police task force designed to handle supernatural problems. Anita is strong-willed and defiant since page one while Sadie didn't seem to get aggressive until she realized what she has become. It's possible that writer/director Sebastian Gutierrez could have been inspired by the books of Laurell K. Hamilton and tried to pay homage by giving his character the same last name, but any similarity ends there. No reason was given in the movie, and director Sebastian Gutierrez has not explained why he hired an Asian actress (Lucy Liu) to play the role of Sadie Blake. Viewers who have pondered this question have offered several possibilities, including: (1) Sadie's mother (who is depicted as Asian in the movie) married a non-Asian or part-Asian man surnamed Blake, (2) Sadie was adopted, (3) Sadie's parents changed their surname when they came to America, and (4) it was Sadie's pen name at the L.A. Weekly office, where she worked as a reporter. Yes it is. In authentic vampire lore, i.e., from ancient and medieval times, vampires could be up during the daylight hours. In some gypsy vampire lore, in fact, the vampire (or "mulo") was thought to be most active at noon. Even in fiction, Dracula didn't need to sleep during the day and could actively walk outside in the sunlight. So could Carmilla. The whole vampires-burn-up-in-the-sun thing started in Nosferatu (1922). It is not part of real vampire lore. Yes, he is. He plays a nameless bartender who aids Sadie Blake when she goes looking for the vampires who murdered and turned her. This is actually his second last film. Prior to his death in 2006, Mako provided his voice for Master Splinter in TMNT (2007) (2007). He also did the voice for Uncle Iroh in the Avatar: The Last Airbender (2003) TV series. The movie was rated R for theaters. On DVD, not only the R-rated version (97 minutes) but also the unrated version (122 minutes) was released. The huge difference implies bigger differences and watching it more closely, it's not just that. There are much more differences than only the running time. Basically one can say that the movie has been entirely new edited. There are many tiny differences like alternate shots, scene extensions etc. It's quite interesting to see how many really short scenes have been removed for the R-rated version to reduce its length. Shots have been shortened and parts of the dialogs have been removed as well, only the bare necessities are still in. Furthermore the order of the scenes has been changed. Where the R-rated version was almost chronological, the unrated version has become less chronological, due to the narration via flashbacks. Moreover each of the versions contains footage which isn't in the other version. The term "unrated" is better for advertising, but for this movie, it could also be considered as Director's Cut.

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